Svetlana does not create the universal definitions, nor insist on the eternal fixation of the moment, allowing the form to develop and transform further, as she leaves her works without boundaries of frames or final elements. In reality, the key concepts in his work are visual constructions and a material concreteness as a form of abstraction. Almost as though it’s a question of a personal symbolism stemming from the artist’s position vis à vis the psychology of viewing. Those are kind of mandalas, that not to be destroyed, but rather to be transformed or incorporated into something new. She has made a refreshing contribution to the phenomenon of looking.